Guster On The Ocean (Night 1)

Fri, August 9, 2024

State Theatre

Doors: 7:00pm - Show: 8:00pm - all ages

Prices in description

Buy tickets in person (without fees) at the State Theatre box office Fridays 10am-5pm, or the night of any State Theatre show starting 1 hour before doors. Please note that ticket prices may fluctuate based on demand.

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Guster

EARLY BIRD PRICING (April 5 at Noon – Wed, April 17 at noon)

Friday Single Day Adult – $45.00
Friday Single Day Kids – $20.00
Sat/Sun Adult GA – $110.00
Sat/Sun Adult VIP – $250.00
Sat/Sun Kids GA – $30.00
Fri/Sat/Sun Adult GA – $150.00
Fri/Sat/Sun Adult VIP – $290.00
Fri/Sat/Sun Kids GA – $50.00

REGULAR PRICING (starts at Wed, April 17 at noon)

Friday Single Day Adult – $50.00
Sat/Sun Adult GA – $120.00
Sat/Sun Adult VIP – $275.00
Sat/Sun Kids GA – $30.00
Fri/Sat/Sun Adult GA – $160.00
Fri/Sat/Sun Adult VIP – $320.00
Fri/Sat/Sun Kids GA – $50.00

ADULT SINGLE DAY SAT & SUN TICKETS (on-sale Wed, May 8 at noon):

Sat Adult Single GA – $65
Sun Adult Single GA – $65
Sat Single Day Kids – $20.00
Sun Single Day Kids – $20.00

VIP INCLUDES
• Tickets to each TP show with access to an VIP exclusive concert viewing area
• Fast Pass Access line to get into the show
• VIP Concierge Service with festival essentials like phone charging, sunscreen, snacks, samples and more
• Private restrooms in VIP
• Exclusive access to VIP Food Trucks
• Private VIP Bar Access
• Exclusive Guster VIP merch item

PLEASE NOTE: Kids do NOT need a VIP ticket. Kids are welcome in VIP if a parent has a VIP ticket.

Learn more at: www.ontheoceanfest.com


Look Alive is our 8th album. The bulk of it was recorded in a vintage keyboard museum in Calgary AB, during a January stretch when the temperature reached 30 degrees below zero. We ended up in Canada because our British producer, Leo Abrahams, couldn’t turn around an American work visa fast enough, and we feel lucky to have discovered Studio Bell at the last minute. Despite having access to room after room of well-maintained analog keys, Leo gravitated to a cheap Ensoniq Mirage synth from the 1980’s that made Janet Jackson Rhythm Nation-era sounds from floppy disks. Leo spent countless hours poring over these floppy disks while the band gawked at the mellotrons, harpsichords, and other vintage equipment housed at Studio Bell. It was the beginnings of a stylistic clash that would ultimately play out beautifully. Our band had always gravitated to “warm” sounds. Leo would introduce us to “cold” sounds and the way they challenge us as listeners. He was the perfect complementary piece for Guster.

After working with the late Richard Swift four years ago and discovering a more raw and vintage sound on Evermotion, we fully embraced studio production with Leo this time around. The sheer amount of production on Look Alive grew into its own statement. There is a lot to unpack.

One day in Calgary we arrived at the studio to discover that Leo had put in a few extra hours on our song “Summertime.” He’d built an entire new intro using the Ensoniq Mirage overnight and played it for us. The band reaction wasn’t too kind. Our beautiful song now had a jarring, harsh, disruptive introduction, instead of the soft mellotron flutes we’d known. After some days of light bickering about it, Leo finally shed his proper British diplomatic side and belted out that “the world doesn’t need another fucking Beatles pastiche!” This would eventually become a rallying cry for the album as we strove to make something new and powerful together.

Title track “Look Alive” is an ominous, processed sonic collage with haunting words about waking up and becoming active in the midst of hollow words and fake heroes. “Hard Times,” written in the studio, came out more like the dark pop of Peter Gabriel / Depeche Mode / Tears for Fears than what people might think of Guster. “Overexcited” felt like classic Brit-pop and so Ryan sang it with a British accent over an Ensoniq marimba. Some of Guster’s critics will say “but you can’t do that” — and that’s something we’ve heard our entire career. We don’t subscribe to the same musical ideology they do and never have.

Writing songs for the second straight record with multi-instrumentalist Luke Reynolds (who joined the band in 2010) has been a key to our evolution. Working with artists like Leo Abrahams, John Congleton, and Collin DuPuis proved to be inspiring and adds to a “brain trust” that bolsters the songs. With Look Alive the plan is simple. Grow our musical community. Write better and better songs. Keep our minds open. Never repeat ourselves and create a legacy of music that is undeniable.

– Brian Rosenworcel, drummer of Guster