UPDATE: This article, originally posted on Feb. 24, 2021, has been updated with new information for music makers and music small businesses based on the recent passage of the American Rescue Plan, and new regulatory updates by the Small Business Administration.  Importantly, effective March 3, self-employed individuals (including independent contractors, gig workers, and sole proprietors) will be eligible for an increased PPP loan amount based on their gross income. Per the SBA, this change is limited to applicants who had yet to be approved for a loan as of March 3.

Additionally, per the American Rescue Plan, eligible businesses may now apply for both a PPP loan and a Shuttered Venue Operators Grant (SVOG). Previously, potential applicants for SVOGs were prohibited from applying for assistance from programs. Under the new law, the PPP loan will offset the potential amount of an SVOG. The SVOG program will open for applicants on April 8, and PPP remains open for all small businesses until May 31.

Please contact advocacy@grammy.com with any questions.

The Biden Administration and Small Business Administration (SBA) announced new changes to the Paycheck Protection Program (PPP) on Monday, February 22, which will result in increased access to essential financial relief for the creative workforce.  Formed as part of the CARES Act, the PPP has enjoyed tremendous bipartisan support due to the program’s ability to quickly deliver relief to qualified small businesses, including sole proprietors and independent contractors. The PPP administers favorable loans to eligible borrowers through participating financial institutions, and many of the loans convert to grants if they are primarily used to fund payroll expenses.

While the relief program is appreciated and utilized by the music community, many struggling creatives were originally left with either limited or no access to the available loans administered by the SBA. But starting today, the SBA attempts to correct these inequities and other longstanding programmatic flaws by implementing new guidance.

<blockquote class="twitter-tweet"><p lang="en" dir="ltr">Today, <a href="https://twitter.com/POTUS?ref_src=twsrc%5Etfw">@POTUS</a> announced new steps to increase <a href="https://twitter.com/hashtag/EquitableAccess?src=hash&amp;ref_src=twsrc%5Etfw">#EquitableAccess</a> of the <a href="https://twitter.com/hashtag/PaycheckProtection?src=hash&amp;ref_src=twsrc%5Etfw">#PaycheckProtection</a> Program for America’s smallest businesses. Watch this <a href="https://twitter.com/WhiteHouse?ref_src=twsrc%5Etfw">@WhiteHouse</a> video for an important update: <a href="https://t.co/vmPm9ZKyTf">https://t.co/vmPm9ZKyTf</a></p>&mdash; SBA (@SBAgov) <a href="https://twitter.com/SBAgov/status/1363917306011787267?ref_src=twsrc%5Etfw">February 22, 2021</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

Many creators will be directly impacted by the SBA’s updated funding formula for sole proprietors, independent contractors, and self-employed individuals. Previously, the PPP loan was calculated by multiplying an applicant’s payroll expense by 2.5, resulting in a much lower loan for sole-proprietors compared with larger businesses. Under the updated guidance, the SBA will calculate the loan amount for these types of workers by using gross income instead of net profits, resulting in larger payments for many members of the music ecosystem. This change is effective March 3, and applicable to applicants who have yet to be approved for a PPP loan in 2021. The Recording Academy has consistently advocated for this change since March, 2020, which will help make PPP loans more responsive to the needs of self-employed individuals.

From the program’s inception, many minority-owned businesses and businesses located in underserved communities faced difficulty accessing loans due to a lack of a formal pre-existing relationship with large financial institutions. To correct that program, the SBA has earmarked $1 billion in funds for low- and moderate-income areas. While this is a step in the right direction, the Biden Administration and the SBA must continue to increase outreach and assistance to these underserved communities and minority-owned institutions.

The SBA also prioritized getting relief to businesses with 20 employees or less, which started on February 24 and concluded on March 9, 2021. Previously, these businesses struggled to secure PPP funds due to the overcrowded lending portal. Understanding that many businesses in the music ecosystem are extremely small operations, the Academy has long advocated for the SBA to prioritize the delivery of financial relief to the smallest of businesses, many of whom are on the verge of collapse due to the pandemic’s enduring impact.

<blockquote class="twitter-tweet"><p lang="en" dir="ltr">Starting today, the Biden-Harris Administration is opening an exclusive 14-day PPP loan application period for companies and nonprofits with fewer than 20 employees. Head to <a href="https://t.co/slFWiCx2W0">https://t.co/slFWiCx2W0</a> to learn more. <a href="https://t.co/zVzm0xNn1q">pic.twitter.com/zVzm0xNn1q</a></p>&mdash; The White House (@WhiteHouse) <a href="https://twitter.com/WhiteHouse/status/1364598464420708356?ref_src=twsrc%5Etfw">February 24, 2021</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

Other changes in guidance include the elimination of borrowing restrictions for business owners with non-fraud felony convictions, the removal of the disqualifying federal student loan debt delinquency factors, and the expansion of the program to qualify all lawful U.S. residents. Learn more about the application process on the SBA’s website. 

While many of these promising changes will positively impact the entire music ecosystem, Congress understood the need of providing additional relief and passed President Biden’s “American Rescue Plan” as a result. The relief package addresses the many complex challenges facing creators by extending unemployment assistance, appropriating funds to help small businesses survive, and investing in the National Endowment for the Arts (NEA). The Academy applauds President Biden and Congress on the passage of this landmark bill, and looks forward to collaborating on an equitable and seamless implementation of these critical relief programs, many of which will greatly assist the entire music ecosystem.

Editor’s Note: This article was originally published in February 2021 and has been updated to reflect the passage of the American Rescue Plan end of the 14-day exclusive application window.

Read More: Billboard: How The Recording Academy And Its Allies Scored Big Wins In COVID Relief Package

On July 9, the Recording Academy, in coordination with the National Independent Venues Association (NIVA), participated in the Fix the Tix Day of Action, which aims to ban fake tickets, deceptive marketing, and hidden costs. This joint push mobilized industry organizations, professionals and fans alike to urge lawmakers to pass the Fans First Act.

Backed by the Recording Academy and introduced by GRAMMYs On The Hill honorees Sen. Amy Klobuchar (D-MN) and Sen. John Cornyn (R-TX), the Fans First Act is the most comprehensive reform undertaken to improve the concert ticket marketplace for consumers.

About the Fans First Act, Recording Academy CEO Harvey Mason jr. said: "With the introduction of the Fans First Act today, the Recording Academy applauds Senators Klobuchar, Cornyn, Blackburn, Luján, Wicker and Welch for taking this important step towards comprehensive ticketing reform.

"As we work together to improve the ticket marketplace," he added, "we urge Congress to act on this bill quickly and continue its effort to protect both artists and fans by increasing transparency and limiting bad actors that take away from the joyous experience of live music."

The Fans First Act requires ticket sellers to disclose and itemize fees upfront, prohibits the use of bots to purchase tickets online and requires sellers to refund consumers the full ticket price if the event is canceled. It also penalizes deceptive marketing tactics — like fake websites — that trick consumers into paying more for tickets that may never get them into a show.

Finally, it prohibits the use of speculative tickets. Also known as "specs," these are tickets that a seller claims they possess but do not actually possess. A new case study across five independent venues in the Washington, D.C. area shows that in 2024, 73,000 speculative tickets have been listed for resale at these venues, totaling an estimated $49 million in potentially fraudulent sales.

The Recording Academy is advocating for Congress to listen to the artists on the stage and pass the Fans First Act to protect consumers, elevate creative economic development, and restore trust in the ticketing experience for fans and artists. 

Click here to take action — and keep watching our Advocacy page for updates on how the Recording Academy fights for all music people!

Watch: House Judiciary Subcommittee Holds "Radio, Music And Copyrights: 100 Years Of Inequity For Recording Artists" Hearing

On Wednesday, June 26, the House Judiciary Subcommittee on Courts, Intellectual Property, and the Internet held a hearing titled "Radio, Music, and Copyrights: 100 Years of Inequity for Recording Artists." The aim of this hearing was to examine an injustice affecting the music community: creators not receiving royalty payments for public broadcasting of their sound recordings on terrestrial radio.

The hearing explored the legislative proposal, the American Music Fairness Act of 2023, which would require a license for broadcasting sound recording via AM/FM radio, and ensure that music creators receive compensation for their work no matter the platform. You can watch the deliberations below:

The hearing witnesses included country legend Randy Travis, who boasts seven GRAMMYs and 16 nominations; Curtis LeGeyt, the President and Chief Executive Officer of the National Association of Broadcasters; Michael Huppe, the President and Chief Executive Officer of SoundExchange; and Eddie Harrell Jr., the Regional Vice President and General Manager of Radio One, Inc., in Cleveland.

As Travis had a stroke 10 years ago that limits his ability to speak, his wife, Mary Travis, testified on his behalf. Her testimony wrapped with, "We ask your help in righting the wrong… ensure that artists are paid for their work, their identity is theirs alone, and the soundtracks of our lives continue to play on… Forever and Ever, Amen!" evoking one of her husband's most iconic tracks. 

The Recording Academy is a long-term proponent of the American Music Fairness Act. Sponsored by Rep. Darrell Issa (R-CA) and Rep. Jerry Nadler (D-NY), the AMFA is a balanced solution that ensures music creators are fairly compensated when their songs are played on AM/FM radio, but with carefully crafted exemptions to protect small and local broadcasters.

During the hearing, several members of the subcommittee expressed strong support for the American Music Fairness Act, and many encouraged the radio industry to work with artists and record labels on reaching a solution to end the century-long injustice.

The bill recognizes the property rights of creators, while supporting community broadcasters across the United States. For close to a century, performers, musicians, and studio professionals have been denied the basic right to receive compensation for their work when their music is played by AM/FM radio.

From the foundational performers of the past to today's iconic stars and the thousands of indispensable backing vocalists, instrumentalists, producers, engineers, and mixers, precisely zero dollars have gone to the creators behind the music played on the radio. 

To make matters worse, the United States is one of the only countries in the world– a distinction it shares with countries like Cuba, North Korea,and Iran–  where this inequity exists, costing artists hundreds of millions of dollars in lost reciprocal royalties overseas in addition to the royalties that aren't paid at home. 

The Recording Academy has been championing this issue for almost two decades — and they're far from alone. In December of 2022, during the 117th Congress, identical legislation passed out of the House Judiciary without any recorded opposition — just another reason why the Recording Academy has faith that the AMFA has legs.

Click here for ways to support the American Music Fairness Act and get involved in the advocacy for music creators, and stay tuned for more information about the Academy's continued fight for all music people.

How Newly Elected Recording Academy Trustees Are Involved In Advocacy: Dani Deahl, Taylor Hanson & More

The Recording Academy's Board of Trustees has a history of being filled with members that are both passionate about making music and advocating for music creators. The newly elected slate of trustees is no exception and four of the new members continuously show their dedication to advocacy.

Those Trustees are Dani Deahl, Taylor Hanson, Torae Carr, and Sara Gazerak. They're four of a total of 19 leaders of diverse backgrounds and disciplines who have assumed their position on the 2024-2025 Board of Trustees.

Effective June 1, the newly elected Trustees joined the Academy's midterm Trustees, including National Officers Tammy Hurt (Chair), Dr. Chelsey Green (Vice Chair), Gebre Waddell (Secretary/Treasurer), and Christine Albert (Chair Emeritus).

Their mission is to uphold the Academy's core values: to serve and represent the music community at-large through its commitment to promote diversity, equity and inclusion, fight for creators' rights, protect music people in need, preserve music's history, and invest in its future.

About that fight for creator's rights, specifically: read on for these four Trustees' advocacy bona fides.

Dani Deahl

This prominent artist, DJ and producer previously served as the Recording Academy's Chicago Chapter Governor. She's also been a prolific advocate for music makers and the greater music industry. 

In March, Deahl testified in front of the Illinois House and Senate on HB 4875/SB 3325 alongside fellow Chicago Chapter member Jeff Becker. HB 4875/SB 3325 represents a crucial step towards modernizing Illinois's Right of Publicity Act for the AI era.

By granting additional enforcement rights and remedies, the bill was created to shield musicians from exploitation by generative AI systems. While existing copyright laws offer some protection, the amendments directly address gaps in safeguarding an artist's name, image, likeness, and voice.

Shortly after the Academy and Deahl's advocacy efforts in Springfield, HB 4875/SB 3325 passed through both the Illinois House and Senate and is with Governor J.B. Pritzker waiting to be signed into law.

On Friday, May 3, Deahl participated in the Recording Academy's Inaugural GRAMMYs on the Hill Future Forum. Designed to provide a space to explore the most pressing issues facing music, this momentous occasion served as a pivotal platform to delve into the impact of artificial intelligence (AI) on the music community. The afternoon consisted of a series of panel discussions curated to explore both the promise and the peril that AI presents to music makers.

Deahl joined GRAMMY nominated producer, emcee, vocalist, and thought leader, Kokayi, and Recording Academy's Chief Advocacy & Public Policy Officer, Todd Dupler, for the first panel of the afternoon. 

Throughout the discussion, Deahl demonstrated live how she ethically uses AI as a tool to enhance her music, including stem separation, voice or tone replacement, and song generation. Dani also attended and participated in the 2024 GRAMMYs on the Hill Awards and Advocacy Day.

Taylor Hanson

You know that surname: he's a former Texas Chapter President, three-time GRAMMY nominated artist and member of the band Hanson.

Last August, Recording Academy members of the Texas Chapter, including Taylor Hanson, headed to Oklahoma City to meet with state government officials to build up the relationship between the Oklahoma music community and state leaders.

Throughout the day, the group met with Lieutenant Governor Matt Pinnell and the Deputy Director of the Oklahoma Film and Music Office, Jeanette Stanton, at the state's Capitol before heading to the Governor's Mansion.

During the meeting, they discussed the importance of the music community in Oklahoma, ways the state can continue to be involved in supporting the music community, and how the Recording Academy can be a resource for ensuring artists' voices are heard.

At the Governor's Mansion, Hanson participated in a panel with other Texas Chapter members on the Recording Academy and how Oklahoma Academy members and music creators can get involved. Specifically, the group highlighted the Recording Academy's District Advocate Day, which Hanson has been a vocal supporter of.

Taylor Hanson has participated in numerous District Advocate meetings, attended the 2024 GRAMMY Advocacy Brunch, and has also used his social platform to spread awareness about the Recording Academy's grassroots advocacy movements.

Torae Carr

On May 7, 2024, this rapper and former New York Chapter President joined other members of the Recording Academy's New York chapter and took to the state capitol in Albany. The purpose was to advocate for the passage of A 127, a crucial piece of legislation designed to safeguard the creative works of artists across New York.

Throughout the day, the group met with key members of the Assembly to express their support for the bill and highlight the crucial need to protect artistic freedom during legal proceedings.

At the time of the advocacy day, A 127 had already passed through the senate. Since then, it has been voted through the Assembly Codes Committee with the goal to be voted on in the Assembly in the coming days. 

Sara Gazerack

Gazerack isn't just a GRAMMY-winning jazz vocalist: she serves as one of the Los Angeles Chapter's Advocacy Representatives and most recently was a Los Angeles Chapter Governor.

This spring, Sarah joined some 60 GRAMMY winners, nominees, and Recording Academy executives in DC for GRAMMYs on the Hill. Sara met with Rep. Jerry Nadler (D-NY), Rep. Larry Bucshon (R-IN), and policy staff of Rep. Katherine Clark (D-MA).

The Advocacy Day consisted of meetings with Senators and Representatives on Capitol Hill and a visit to the White House for a roundtable discussion on  AI policy, ticket reforms, the National Endowment for the Arts, and the president's work on gun violence, before a special conversation with Press Secretary Karine Jean-Pierre.

The Recording Academy commends these Trustees for their commitment to advocacy for music people — and to follow their future work in this regard, keep checking RecordingAcademy.com/Advocacy for up-to-date info!

Illinois Passes AI Digital Replica Protections Law: What To Know About HB 4875

The Illinois General Assembly is fighting the good fight to protect artists and individuals from unauthorized AI digital replicas.

On Friday, May 24, the Illinois House of Representatives unanimously passed HB 4875, sending the bill to the Governor's desk to become law. HB 4875, which unanimously cleared the state senate earlier in May, modernizes Illinois's existing Right of Publicity law to specifically address the challenges artists face from AI-generated creations and digital replicas.

Since the legislation's introduction by Rep. Jennifer Gong-Gershowitz and Senator Mary Edly-Allen the Recording Academy has been an advocate for the bill and how it establishes key safeguards and enforcement mechanisms to ensure an individual's identity is not misappropriated by generative AI. 

In April, members from the Recording Academy's Chicago Chapter went to the state capitol in Springfield for a state advocacy day in support of the bill. Immediately following that day of action, the bill cleared the House of Representatives for the first time and was sent to the Senate for further action. 

And earlier this year, in March, Recording Academy Chicago Chapter Board Members Jeff Becker and Dani Deahl testified in support of the legislation during hearings in the House and Senate. Their testimonies laid the foundation to pass the bill, bringing needed attention and support from state lawmakers. 

"As we embrace AI's potential, we must also be prepared for the risks it presents that are already here. The clearest example of these risks is the ability of AI to steal people's images and voices," Deahl testified. "I myself have had the unsettling experience of hearing my voice replicated by AI, delivering messages I never endorsed. This violation of identity is a profound invasion of personal autonomy."

Once signed into law by Gov. J.B. Pritzker, Illinois will become the second state in the nation to proactively protect creators from having their likeness replicated without permission by generative AI. In March, Tennessee Gov. Bill Lee signed the ELVIS Act into law to become the first state. The Recording Academy worked closely with the Governor, Tennessee legislators, and other stakeholders in the passage of the groundbreaking law.

The Recording Academy is also prioritizing federal protections to confront this growing threat to human creativity. During this year's GRAMMYs on the Hill, GRAMMY winners and nominees came to Washington, D.C. to urge Members of Congress to support the House's No AI FRAUD Act and the Senate's NO FAKES Act. Both bills would establish similar protections to Illinois's HB 4875. 

For more information on how the Recording Academy continues to fight for artists' rights, keep checking our Advocacy page at recordingacademy.com.

The House Of Representatives Has Passed The TICKET Act: Here's What You Need To Know