Riffs on Roy
Oak Cliff native Roy Hargrove may not have the depth and seasoning of Wynton Marsalis, but the 26-year-old prodigy could still be one of the great jazz trumpeters of our day.
Oak Cliff native Roy Hargrove may not have the depth and seasoning of Wynton Marsalis, but the 26-year-old prodigy could still be one of the great jazz trumpeters of our day.
By Doug Ramsey
Vibraharpist Charlie Shoemake keeps so busy in L.A. that he seldom strays back to his home state. Fortunately, we can hear him on new recordings.
By Doug Ramsey
At 73, this Fort Worth jazzman still sings “Chattanooga Choo-Choo,” but he wants new songs, more gigs, and younger audiences.
By Doug Ramsey
From James Clay to John Park, Texas tenor sax masters prove their mettle on new LPs.
By Doug Ramsey
What’s remarkable about this exclusive jazz party isn’t just that it’s in Midland. The biggest surprise comes when the music starts.
By Doug Ramsey
New releases of Duke Ellington’s work give us exquisite music from small bands, a dance band having fun, and stereo recording twenty years before its time.
By Doug Ramsey
Those who think there’s nothing new under the sun should check out the superior jazz improvisations on three recently released albums.
By Doug Ramsey
From the moment tenor saxophonist Zoot Sims sounded his first note to just before his death four decades later, he performed with irresistible spirit and intensity.
By Doug Ramsey
Jazz singers defy definition. They may scat, or they may not; they may be veterans or newcomers; they may decline the label of jazz singer. But their music always gives them away.
By Doug Ramsey
John Hardee and Budd Johnson were two legendary Texas tenors who had their own ways of making peace with the rigors of the jazz life.
By Doug Ramsey
A purist’s guide to the night spots of Houston, Dallas, Fort Worth, and Austin.
By Doug Ramsey
Tribute to Teagarden captures the fullness and humanity of the late Texas trombonist’s art; plus a roundup of recent jazz releases.
By Doug Ramsey
In the sixties the fee-jazz movement produced music that was defiantly experimental, and the same artists are still playing some of the most stimulating jazz around.
By Doug Ramsey
A definitive Smithsonian Recordings collection sets a new standard for big band anthologies; other big band recordings prove that swing remains vibrantly alive.
By Doug Ramsey
You may not have heard saxman Ben Webster when he was around, but his recordings with Duke Ellington, Benny Carter, and Gerry Mulligan are a treasure trove not to be missed.
By Doug Ramsey
Fabled Texas pianist Peck Kelley appears, at last, on a gold mine of an album. There’s lodes more with Red Garland, Pete Petersen, and other jazz whizzes.
By Doug Ramsey
The music of tenor saxman John Handy is rooted in Texas and the blues, and he uses his distinctive sound to lure more listeners to jazz.
By Doug Ramsey
Freddie Hubbard’s attempts to play pop music have been disastrous. But when he tackles a pure mainstream sound, he shows what jazz trumpeting is all about.
By Doug Ramsey
The late alto saxophonist lived a life marred by heroin addiction and prison time, but his pain was only a counterpoint to the beauty of his music.
By Doug Ramsey
In the footsteps of Louis Armstrong, Miles Davis, and other trumpet greats comes twenty-year-old Wynton Marsalis. Judging by their latest albums, Herbie Hancock, Ron Carter, and fellow veterans are doing all right too.
By Doug Ramsey
The greatness of Paul Desmond, the staying power of Art Blakey, the de-fusion of Stan Gertz--all these are on record, and more.
By Doug Ramsey
Recordings from the old pros prove the virtue of virtuosity.
By Doug Ramsey
The late Lester Young is a past president of jazz, and his music still holds sway. Albums by other musicians get votes of confidence, too.
By Doug Ramsey
Houston’s first jazz festival turned Miller Theatre into a hothouse of sound.
By Doug Ramsey
Although Don Albert’s music was a mainstay of the forties, his obstinate stand against racism put him years ahead of his time.
By Doug Ramsey
Some old greats forged ahead in 1979, but young musicians kept up.
By Doug Ramsey
The Midland Jazz Classic wasn’t cheap, but it was worth the price.
By Doug Ramsey
Charles Mingus was a great jazz musician with a sharp mind, an impeccable sense of rhythm, and a mighty powerful fist.
By Doug Ramsey
Leon Breeden’s jazz students at North Texas State University are already pros, and they have recorded two new albums to prove it.
By Doug Ramsey
Last year’s jazz records are this year’s best buys.
By Doug Ramsey
How to lose you not-enough-jazz-in-Texas blues.
By Doug Ramsey
The only way Red Garland could make us mad would be to quit playing piano.
By Doug Ramsey
New records, old musicians, and all that jazz.
By Doug Ramsey
Would the renegade jazzmen who started bop recognize what’s happened to their music?
By Doug Ramsey
The saxiest men in Texas.
By Doug Ramsey
Building a classical, rock, country, and jazz library on a budget.
By Doug Ramsey, W. L. Taitte and Chet Flippo